Showing posts with label heroes. Show all posts
Showing posts with label heroes. Show all posts

Wednesday, December 19, 2012

My Favourite Albums 2012


Wait what? Where is your proper blog?  My beautiful flopearedmule.net is borked right now.  I have finally reached the end of my tolerance for the soul destroying suckhole which is Movable Type maintenance so I’m not sure what I’m going to do with it long term.   Meantime, Blogspot is still a thing who knew so I’m back IN EXILE at my old digs.



The Unrankable

Leonard Cohen -  Old Ideas & Bob Dylan - Tempest
There are a handful of artists whose new albums are not product to be ranked and dissected and assessed, they are new chapters -- scenes,  really -- in the unfolding of my life and do not require any further justification.  Even if they were objectively terrible albums (they are not!) it would be almost irrelevant 'cos me and Len and me and Bob, we are way beyond that, you know?   That said Old Ideas is truly superb and as good as Tempest is, I still think Bob's towering creative achievement of the year is probably that wild Mikal Gilmore Rolling Stone interview. A bravura performance, indeed.

According to Heck of a Guy this is the best version on video of "Going Home" performed by Len on the recent European/North American tour and I trust him.




& The Rest These are the first ones scribbled down as particularly memorable this year but there are other worthies which I may round up in a later post.

Le Fou  -- Zachary Richard     The veteran Cajun musician, poet and cultural activist has released his best album in years.  The songs are often socially charged, delivered via an infectious musical stew (some songs like "La musique des anges" are positively anthemic) and his warm voice.  It's basically entirely in French (I'm starting French beginner classes just after New Year at Alliance Française so check back to see if I hate it once I know what he's saying - joke!) but there are English translations on his site.  

Zachary Richard-Laisse le vent souffler. from CAR productions on Vimeo.

Hello Cruel World - Gretchen Peters   A really stunning album I reckon.  I have a fair few of her albums and I have always enjoyed them but this has really kicked things up to another level where the songs dig deeper than one expects with a real humanistic poetry all the way through, and which mesh perfectly with the beautifully executed music. 



Into the Bloodstream - Archie Roach
After a difficult couple of years for Archie by any measure - the death of Ruby Hunter and his own stroke - that this work is so full of life is a joy from a human and a music point of view.   The gospel choir running through works really well and Archie gets to show off a lot of range all through the record..
Speaking of Indigenous legends still gifting us with great music, Roger Knox has a record out early next year on a label that never puts a foot wrong, Bloodshot of Chicago.  I heard one track on a Bloodshot sampler and I simply cannot wait for it. 


El Gusto SoundtrackOrchestre El Gusto A few years ago I randomly discovered Algerian chaabi (literally “folk”) which blends North African, Arabic and Andalusian music.  At the time I read about the concerts being staged in Europe reuniting the Muslim and Jewish chaabi musicians whp played together mid-century until the war of independence meant the Pieds-Noirs (Algerians of European origin) largely left.   The wonderful documentary  which lead to – literally – putting the band back together showed at the Sydney Film Festival earlier this year so I was excited to get to see it.   The soundtrack is fantastic, there’s something about that combination of styles which is irresistible, and being it is a real orchestra – like there are dozens of players on stage – the music has a real hard charging  force that carries you along.   FYI my favourite chaabi-style album is by Maurice le Medioni (who is in the film) and some Latin musicians called Descarga Oriental.



The Great Despiser - Joe Pug  Joe Pug is wonderful and adorable and I love him. This album is a semi-departure in that it has a full band behind it but the same calibre of songs full of beauty and humanity.
Ooh look, an official video. Fancy.


Boys and Girls - Alabama Shakes  Fantastic album of real deal rock n soul but I think they key to the Alabama Shakes might be seeing them live which happily I am scheduled to do in January when they play a (sold out) gig at the Metro.  I want to be Brittany Howard.




This One’s for Him - Various
Obligatory tribute album entry! Actually it's not obligatory since most of them are well meaning mediocrities, and while on this one also very little rises far above the originals in my mind (I admit I have an originalist prejudice for most songs) there is a comradely spirit about the project which envelopes me when I listen to it. And -- from the listener perspective -- the knowledge of long personal relationships between many of these people and Guy himself it manages to break out of the earnest sterility of most similar collections. Video is Suzy Bogguss "Instant Coffee Blues" - I'd say the best country song about a one night stand but honestly that's probably Tom T Hall "Tulsa Telephone Book", no?




Sing the Delta - Iris DeMent Geez it is just nice to have Iris back isn't it?




Everybody's Talkin' - Tedeschi Trucks Band  A live album double album. Smoking.




I Like to Keep Myself in Pain - Kelly Hogan File under instant classic, file under country-soul done right,  file under pour another merlot and turn down the lights and probably shed a tear.




Thankful n Thoughtful  - Bettye LaVette    “Everything is Broken” which opens this record is possibly the single entrant in my list of Dylan songs I actually think I prefer the cover of. I know.  For that truly historic achievement it needs to go here,  the rest is another highly satisfying slow burn soul powerhouse.   She definitively LaVetterises "Dirty Old Town". I expect it might be polarising but I dig it.  A link because they won't let me embed it grrrr. 


"I'm Dreaming" - Randy Newman  Randy didn't release an album this year but did make a song available for free download in time for the US election.  It makes me crack up regularly. It's interesting as per this interview that as it has come to pass he now has fans in the Toy Story-age demographic that he has to explain the satire in a way he didn't with, say, Good Old Boys.  The other thing Randy did this year was get elected to the Rock and Roll Hall of Fame class of 2013.  I guess since he met me last year it was the last honour he didn't already have. Grats Randy!

Monday, September 03, 2007

Endings and Beginnings



Well Bob has been and gone.

Your puny hu-man language has no words.

MP3: Nettie Moore, Sydney, 15th August.

These were my first live shows since '01 (behind the iron curtain of no-one-good-ever-tours-russia-ness in '03) but they still open and close with two extraordinary moments. Sure, the music in between is ineffable but I go to be In The Presence and the intro and the band farewells are where you find you get those hilarious Bob moments.

The introduction which was adopted a while ago and is taken pretty much verbatim from some newspaper review. Can't remember the name of the journo now, but he wrote a slightly mortified response after it started being used.

“Ladies and Gentlemen,Please welcome the poet laureate of rock and roll,
The voice of the promise of the ‘60s counter culture,
The guy who forced folk into bed with rock,
Who donned makeup in the ‘70s, and disappeared into a haze of substance abuse,
Who emerged to find Jesus,
Who was written off as a has-been by the end of the ‘80s
And who suddenly shifted gears,
Releasing some of the strongest music in his career beginning in the late ‘90s,
Ladies and Gentlemen,
Columbia recording artist,
Bob Dylan”

A brain numbing cut and paste job, a collection of cliches hypnotic in their blandness and hilarious when Bob co-opts them to open the show. Heh @ Bob.

Listen: Dylan Intro. (starts about 30 secs in)

And then the line up at the end -- as shown in picture above, taken by my mate Raymond. They just .... stand there, staring at you. A new addition (for me) was the toreador arm Bob sports. Some described it as a royal wave. People whinge that there's no audience interaction. The band comes to the front of stage and just ... stares at you. That's too much audience interaction baby. It does weird things to you.

Monday, January 08, 2007

Renaissance Man

Kris Kristofferson once quipped, "I think between us, Bill Clinton and I have settled any lingering myths about the brilliance of Rhodes scholars," but as this delightful 1959 profile in TIME shows he wasn't wasting his time at Oxford.

The ancient seat of learning has seen far too much to be startled by the carryings-on of its scholars. Just the same, a 22-year-old Rhodes scholar from California's Pomona College has aroused a certain mild wonder at Oxford University's Merton College. Blond Kristoffer Kristofferson is a modest, husky (5 ft. 11 in., 165 lbs.) youth, and had he stuck quietly to his study of English literature, chances are that few of his Oxford friends would have discovered what an uncommon sort was swallowing their tea.


I even forgive him for playing yawnion.